Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

To redeem himself from a great sin, a man dedicates himself to building a church.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

A story about the choices of people who either believe money is everything or believe that it’s not.

While on a road trip through the desert, Charlie and her boyfriend Aidan break down in the middle of nowhere. While Aidan waits for a tow truck, Charlie heads to a nearby diner to find help. When Aidan goes missing, Charlie finds herself stranded in a strange town unsure who to trust. The only thing she knows is she might just be their only chance to get out alive.

Howe Gelb is a musician with a philosophy: Music must evolve. So he never plays his own music the same.

Beautifully filmed story set in a remote village, somewhere ‘to the south of the desert’ in Patagonia; a 13 year old boy starts to take a different view of the world around him and runs away from his parental home. Does he embark on a real journey or is this the (symbolic) point of departure to another, new life?

Tafiti, a young meerkat, initially rejects friendship with Bristles, a bush pig. When his grandpa is bitten by a snake Tafiti sets off to find the flower for the cure. Bristles wants to prove that adventures are always better with friends.